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MARL IN DUST REAL

by Peter Simon

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Us head bilo 06:27
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about

In this second experimental setup I worked with the room. Here I took the sounds that were already present in the room (from the outside as well as from the inside) and amplified them and played them back into the room. This resulted in feedbacks that I continued to work with. I played with the individual, specific frequencies, the standing waves that resulted from the material, and thus made the whole room vibrate.
Depending on the location and material, different frequency ranges stood out and were more present than others.

Brutalism as an architectural style is a worldwide phenomenon. It is the architecture in which we grew up. A love-hate relationship connects us with these buildings, whose fascination is fed by the monolithic.
School buildings, museums, city halls, libraries... at the moment we are experiencing a paradigm shift and see these buildings threatened with demolition. More and more of these complexes are disappearing from the cityscape. Structural substance is crumbling, the preservation of historical monuments is dealing with them. Brutalism once again becomes a generational issue.

Brutalism is a system outside political ideologies. Whether in Texas, Brussels or Bratislava; Brutalist buildings were built both in the communist Eastern Bloc and in the capitalist West

credits

released May 5, 2023

Recorded Live in the empty Skulpturen Museum Glaskasten Marl in 2022
Mastering by Clos et Omono 2022 on REVOX A77, SM 468 from Recording The Masters

Thanks to: Georg Elben, Stephan Wolters, HPP Architekten GmbH, Sebastian Helm, Detlef von Homeyer, Onur Karaca and Tom Briele for the great video work ! Look at:

vimeo.com//pcsimon
www.briele.de

Written and produced by Peter Simon ©2022

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P3C7 Cologne, Germany

Change, duration, difference, multiplicity, instability and imperfection...

experimentalelectronicfieldrecordingambientnaturetapesandspaces

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